Monday, 18 October 2021

Watching It’s a Sin

Sitting watching television,

Episode 1, Episode 2, Episode 3 and so on
Memories and corridors that needed to be walked
Doors opened; beds sat by.
Episode-related to; 
memories come torrenting back
memories of those gone, 
friends lost and too many funerals.

The pain that lies within rises, rises
By the time it arrives in the throat it has no sound
Tears come, cascading, but no sound.
The mouth contortioned, 'Baconesque' style, 
moving, anguished, 
around and around and around, no sound.

A blubber.

A fear that if it was more than a controlled, quiet, acknowledgement,
the torrent would come, and come, and come and never stop.

Sit still, if you don’t move it will go away

Tears recede, 
contortion slows, 
catatonic rigidity subsides.
till the next time

Friends lost.
Too many
funerals attended



Monday, 13 September 2021

Simon 1992

A funeral for Simon

The church was packed with rainbow colours, friends and colleagues.
In the homily colleagues were acknowledged, but not their role,
We sang, we listened,
Friends, who outweighed all, were welcomed, but not discussed or acknowledged in life stories told.
we left and watched as he was put in the hearse for a final journey.
The colleague congregation blocked the road, we stood and watched, we stood in the road
and said our goodbyes here.
From this point it was family only, saying goodbyes in a place not shared with us.

The family cortège left the street
The colleague congregation stood in the road, the street, we were alone, together,
with memories of a young, lively, gangly man, who had chosen to leave us.
We stood, we chatted, we hugged, we cried.
Our formal role was over, individual roles, grieving, missing him would now begin.
without a final goodbye ceremony.
We would need to be contented with our last view of the departing cortège, this moment, this place, this goodbye.
We stood, we chatted, we hugged, we cried, we stood in the road eking out every moment of our final goodbye.

The colleague congregation gathered a week later. We came together to remember, our friend, our colleague. No family this time.
Their restrictions discharged, and we remembered.
The man we loved in all his youthful glory
We laughed, we cried, we hugged, we danced and every now and then we wondered how he, in all his long legged ganglyness ever got into his Mini, let alone drive it.
Many of us had been given a lift by him and had watched in amazement this special contortion.

Approaching the first anniversary I happened to tell this story to another colleague who stated that he knew the family.
Having outlined the events of the day I explained that these were no longer issues but that his friends and colleagues wanted to do something to acknowledge the anniversary.
People remembered him, people still missed him.
I asked if he could approach the family to share the location of his final resting place.
I had talked to a few friends who wanted to remember the anniversary, in turn friends had spoken to friends or colleagues who had expressed a desire to celebrate the occasion but didn’t know how.
My colleague said they would speak to the family and try to get the information but that they were aware of how the family felt about the loss.
A week later I was contacted with an address, a church, a village near Leamington.
I could share this information and the family were overwhelmed by the fact that colleagues and friends thought so much of him and wanted to remember the anniversary.

On a bright autumnal Sunday, nearest the anniversary, I found myself by a church, in a village, near Leamington and soon found the spot that had been described by the family, his final resting place.
There were some flowers, small bunches, gracefully placed with cards and names and thoughts
Here at last we could say farewell to our friend, our colleague.
I left my small bunch of flowers, with a small card I told him how much he was loved, how much I missed him, how much he was missed, and things were not the same since he had gone.

Wednesday, 25 August 2021

TED RYAN me and my art

TED RYAN: Me and my art 

Art has always been a big part of my life, and I have drawn and painted for as long as I can remember, but I have never earned a living from producing or making art.

 I qualified with a degree in Art and Design, undertaking supplementary and post graduate qualifications in design and community learning my initial employment was in education, youth and community work, and later community development and regeneration.   

 I had a number of exhibitions in the late 70s and into the 80s but my substantive income was not from art.

Being engaged to develop and manage public projects, supporting community led programmes and project, managing community learning programmes, Saturday and holiday learning opportunities for primary aged children, ensured that I reduced by ‘formal’ involvement in art activity.

 Some of my community engagement ensured I remained involved with other arts activity. I have worked on stage design and production management on a feature film and a community festival, and on community arts production within local and city-wide communities.

 While my substantive, paid work took up significant time, my art was always lurking in the background. I used art whenever I could in community events, and continued to draw, paint and build sculptures whenever the opportunity rose. Time was the enemy - time spent on earning a living or time spent on art - art always suffered, and over a period of 30 years I have been restricted to small sketches, hardly completing a final piece, while starting lots of them.   

 Here therefore is a selection of drawings form the distant past, 1970s to some recent experiments with colouring felt pens.




Middle room 1975

Carlton Avenue, Liverpool 1977

City Scape 1982

1984

Newtown Row 1984

WWI Welsh Troops  1986

Ireland Road 1999

After the Tornado 2005

Digital Cafe 2009

Christmas Card proposal 2010

Child and Coca Cola fridge 2012

We will remember them 2015

Just sitting here 2021

2021



Green Lady 1984














Winterbourne Garden, colours and shapes, the weavings

These weavings were developed from the paintings and drawings done at Winterbourne or from photographs taken at the Gardens.

Weaving 9 Test 2 July /August 2021





Weaving 8 Pilot and test 1 June 2021





Weaving 8 - modifying the shape May 2021







Weaving 7 - Weaving 1 revisited with additional colour May 2021





Weaving 6 - Blue velvet background 1







Weaving 5





Weaving 4





Weaving 2





Weaving 1